
Thanks to Grant Hughes for the photo and video.

Thanks to Grant Hughes for the photo and video.
BERG sits in a hard-to-define design field somewhere between media, service, interaction and product design… [Jack] Schulze describes BERG as “a machine for our curiosity”. Rather than starting with a product in mind, or even having a product as an intended outcome, the studio has an omnivorous spirit of inquiry about the way stuff gets made… “We work…much more in the way that furniture or product designers work. We have what we call a material exploration, and some of those materials are not stuff.” Rather than working with wood or metal, the materials BERG explores are supply chains, consumer electronics, APIs, the habits of Chinese factories.
…The trouble with the modern world, the guys agree, is that designers are used by business to achieve the goals of business—not the other way around. And you have a market capitalisation of $10 billion or more before you get to do the really cool stuff. “For a really long time businesses have commoditised creativity,” says [Matt] Webb. “Is it possible to design to commoditise big business? To just have total freedom in what we make, and treat businesses like a machine?”
"— Back to the Near Future, ICON 099
December 2011/January 2012’s “visual table of contents” for Dwell’s ‘Modern World’ section: the fifth in an ongoing series. Dieter the ram, Jens the basketweaver, and IKEA pushes RTA to the MAX:


Other misguided & half baked ideas can be found on my sketchblog.
The friendly folks at Tumblr apparently like my sketchblog and decided to drop me in the “Illustrator Spotlight”. Big-on-the-internet in 2012.
Legendary designer and ceramicist Eva Zeisel passed away on the eve of 2012 at the age of 105. Even as the oldest living industrial designer she still continued to produce work—as this video beautifully captures—right up to the end of her life.
To say her work has been a part of my life is an understatement. My wife, who studied ceramics for her undergraduate degree, has been a collector of Eva’s work for years, so we have many of her pieces in our home. The morning coffee ritual of making a “slow” cup of coffee—boiling water and pouring through a Chemex—is always punctuated at the end when I lift the lid for the Town & Country sugar bowl for my wife’s coffee (I take it black, sorry Eva). I have interacted with her work every day for years.
I had the opportunity to see Eva speak at a design conference at RISD in the late 90s as a student, which I remember being a special moment. Her beautiful mastery of form and elegant understanding of design for the home was obviously inspiring, but perhaps equally inspiring was the fact that her body of work continued well past ‘retirement’ age. As a student, one is usually just focused on getting started in the design world—you’re never considering what your relationship will be with design 75 years later. It was obvious that design was more than just a profession for Eva Zeisel—it was truly a lifelong passion.
November 2011’s “visual table of contents” for Dwell’s ‘Modern World’ section: the fourth in an ongoing series. A few of my favorites that work even without knowing the articles they (mis)represent:
See more of my misguided & half baked ideas at my sketchblog.
— Bill Coyne, retired VP of R&D at 3M (via armblr)