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May 5, 2011
"The truth is that consumer products are ‘new’ for a very brief moment when they are first removed from the packaging, but spend the great majority of their useful lives as ‘used’ products in the process of decay. Many welcome the breaking-in of products like a leather wallet or a pair of jeans as this wear can be aesthetically-pleasing. The Japanese have a term for this, “Wabi-sabi”. Wabi-sabi can be used to describe the aesthetically pleasing wear of an object as it decays over time. It’s a notion that embraces the transience of objects and celebrates the purity of the imperfect. Aging with dignity is a criteria designers should recognize in their efforts. I’m thinking of a future when products are designed not for the brief moment when they are new, but for when they have been aged to perfection."

—

from “Aged to Perfection”.

Very worth reading on this topic is Wabi Sabi: for Artists, Designers, Poets & Philosophers by Leonard Koren. Naturally, my copy is well worn.

11:07am
FILED UNDER: authenticobjects 
September 24, 2010

An email conversation about “This is Not a Photograph” — an article by Eric Harvey for Pitchfork Media—yielded some thoughts that I’m clipping here for my exploration of ‘authentic’ design:

…a dense and meandering article—but it really hits its stride on page two. There are some really nice gems of thought about aesthetics, authenticity, and context, [as viewed through the lens of American indie rock]. I love the connection that occurs between the three: that using a bygone aesthetic that celebrates imperfection and stripping context from the image creates an imagined history that feels more authentic… and in a sense it is—since the viewer brings their own story to the piece. What could be more authentic than that? Contrast that to the voracious information-seeking we do today—we seek to strip the mystery from anything and bring context to even the most banal things—like album cover art!

I think maybe the big lesson from this is that in a world of transparency, being a bit obtuse with your art and your image is a GOOD thing.

3:35pm
FILED UNDER: authenticobjects 
July 13, 2010
The Counterfeit Mailbag

More notes on the beauty of aging. From the infamous J. Peterman Catlog:

How to take care of the Mailbag:

The first scratch will kill you, but in fact, it’s the first step in the right direction: patina.

So the sooner it gets scratched, nicked, bumped, dug, hit, squeezed, dropped, bent, folded, and rained on, the better. Really.

When you receive your mailbag, it’s so fiercely new looking I’m almost ashamed of it. But there’s no choice. It would cost too much to pre-age each mailbag before sending it out to a customer. (Antiques cost more than new, for a reason.)

Here’s my recipe for “accelerating” the aging process. First, spend one day (the day you get it) the way it is. Brand new. Then, the next day, scratch it all over with your fingernails. Lightly. This will horrify you, at first. Then, spray-mist it with plain water, lightly. Let it dry. The scratches will lose their rawness. They will look old. Repeat this treatment as often as you can stand to; once a week for 5 weeks. Then once a year. (Clean mailbag with plain water only. Not petrochemicals, not oils, not detergents, not mystery solvents, not leather “cremes.” It will do just fine with plain water and will outlast both of us.)

My favorite line is: “…so fiercely new looking I’m almost ashamed of it”. Much like a new pair of sneakers or a fresh haircut—some things don’t look right until the “new” wears off.

11:23am
FILED UNDER: authenticobjects 
July 9, 2010
Two pairs of identical APC raw denim jeans. On the left: 15 months old, worn often, washed twice. On the right: brand new. A study in wear.

Two pairs of identical APC raw denim jeans. On the left: 15 months old, worn often, washed twice. On the right: brand new. A study in wear.

9:51am
FILED UNDER: authenticobjects 
July 8, 2010
On the beauty of aging

Our culture has an obsession with the young & beautiful. The irony is that people who celebrate their youth, are losing it day by day. However, those who celebrate their age, are getting better every day. No one is forever young—we all slowly get old. We can deny this and celebrate the glory of our past, or we can devour the experiences of the now—and look forward to the wisdom we’ll eventually have the perspective to enjoy.

Objects, like people, are fetishized when they’re new. New objects are shiny, flawless, alluring. Their perfection draws us in, but their beauty is fleeting. They get dropped, scratched, scuffed, worn. Over time they either get worn-in or worn-out, depending on how they were designed. When objects are designed to age gracefully, they gain character with age. Their patterns of wear expose their history of use. They become familiar. They feel like they belong. We strive to preserve them instead of replace them the moment they show wear.

Wear is inevitable. Wear is real. Wear is authentic. Wear is beautiful.

Based on these thoughts I’ll be collecting examples of age & wear in this blog, as I try to take notes on objects that age gracefully and/or the beauty of wear. Posts will be tagged “authenticobjects”.

12:57pm
FILED UNDER: authenticobjects 
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